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Suerte

by Camelia Jade

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about

This song began as a “percussion collage” of found sounds around my home.
It is inspired by the book "Saborami" by Cecilia Vicuña and written as part of the Bushwick Book Club Seattle in April 2020. In the book, the author collects objects and creates art pieces and poems infused with magic. The book takes place before, during and after the military coup in Chile in the 1970’s when Chile is shutdown and changed forever. What inspired me was that in the midst of these events (which I have heard about my entire life), she states that “art should be done by everyone” and that “art was born for playing and though people may have forgotten, it is time that they remember. joy is a necessity.” These ideas inspired me to experiment and create a piece that would capture this moment in time, infused with sounds and textures of springtime activity, a bittersweet moment of beauty, grief and joy.

For this song, I have also created a music video which can be seen here: youtube.com/cameliajade

You will see that the percussion sounds were created from a hammer, a saw, a paintbrush and hands clapping. You will also hear the birds around my home and leaves crunching underfoot.

The lyrics were created by me with the help of my mother, Marly Moil-Lazenby.This is the first song I have written in Spanish, and I could not have done it without her help.

lyrics

Lyrics:

con que forma de suerte
puedo sentirte
cerca de mi

este recuerdo
sabe como la sal
un océano antiguo
se disuelve


Translation:

with what sort of luck
do I get to feel you
near me

this memory
tastes like salt
an ancient ocean
dissolving

credits

released May 1, 2020
Percussion: hands clapping, hammer, saw, paintbrush, bird song, leaves.
Guitar, Voice, Bass: Camelia Jade

Recorded, Mixed and Mastered by Camelia Jade

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about

Camelia Jade Washington

Composing on guitar, charango, rhythm, and voice, Camelia Jade weaves tradition and innovation into songs that are lush and percussive, joyous or bittersweet. Drawing from her Chilean-American heritage, she revisits the folklorica and Musica Andina from her heritage to infuse it with the freedom and experimentation she has found in music on the West Coast of the United States and in Queer culture. ... more

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